Questions for Third Response (Due by 8 am July 7):

In one to five short essays of 250-1,200 words, respond to from one to five of the following questions (you can write any combination of essays totalling 1,250 words--five essays of 250 words each, three essays of 420 words each, etc.)

(1) Based on the chapter from Smith, my webcast introduction to British Cultural Studies, and Stuart Hall's essay "Cultural Studies: Two Paradigms," discuss the sociopolitical and institutional (in terms of the academic traditions) conditions in which Cultural Studies emerged as an academic discipline from the late 1950s on, with questions and examples from your own reading and reflection.

 
     

(2) Stuart Hall's account of the competing intellectual trends in "Cultural Studies: Two Paradigms" mentions a number of thinkers whom most of you probably won't have read. Nonetheless, I'd like to encourage you to try to follow his narrative, because it's a useful brief summary of the tensions out of which British Cultural Studies took shape. Discuss the two alternative "paradigms"-- "Culturalism" and "Structuralism" -- for Cultural Studies, with questions that occur to you and examples from your own reading and reflection.

3) Stuart Hall's webcast series, "Race: the Floating Signifier," and Ted Allen's book, The Invention of the White Race (for which a detailed synopsis is presented here) present perspectives on racism in modernity that overlap in many respects but also diverge significantly, I think. Discuss/compare these two analyses of racism as a cultural discourse in modernity.

(4) Consider how the brief examples of different meanings of "representation" mentioned by Stuart Hall in the video "Representation and the Media" correspond to the Adorno/Horkheimer essay and/or to the discussion of film representations by bell hooks in the first week's video links.

(5) From your reading of the Smith chapter, from Stuart Hall's discussion in "Cultural Studies: Two Paradigms," and/or from your own previous reading and past experience in Cultural Studies, discuss the some of the issues that have arisen in the relationship between Cultural Studies and the "New Left" and/or "Identity Politics" movements since the 1960s.

(6) Toward the end of Chapter 1, de Beauvoir discusses the experience of women, between the onset of puberty and the onset of menopause, as a sort of physical enslavement to the reproductive function, in which women's bodies are, in effect, at war with their personal individual development. For example, she writes:

Women experience a more profound alienation when fertilization has occurred and the dividing egg passes down into the uterus and proceeds to develop there. Ture enough, pregnancy is a normal process, which, if it takes place under normal conditions of health and nutrition, is not harmful to the mother; certain interactions between her and the foetus become established which are even beneficial to her. In spite of an optimistic view having all too obvious social utility, however, gestation is a fatiguing task of no individual benefit to the woman but on the contrary demanding heavy sacrifices.

What are some of the other examples by which de Beauvoir argues that reproduction is inimical to the individual freedom of the woman? Do you agree?

(7) Discuss the effect of de Beauvoir's dry, "scientific" rhetoric in this chapter or in the other chapters we have read. For example, do you find her comparisons of women's sexuality to that of men, of insects, frogs, monkeys, etc., shocking, funny, thought-provoking? Something else?

(8) Toward the end of her second chapter, on Psychoanalysis, Simone de Beauvoir writes: "We therefore decline to accept the method of psychoanalysis, without rejecting en bloc the contributions of the science or denying the fertility of some of its insights." What are some of the problems with psychoanalysis, according to de Beauvoir, and what are some of the insights that she finds useful?

(9) Raise and discuss any questions and/or reactions you have in response to these readings after you have read the texts.