Cultural Studies and Materiaist Feminism

The most prominent feminist theory and scholarship in Cultural Studies have been in the vein of Marxist and post-Marxist "materialist feminisms," and I have chosen some readings for this week that will, I hope, give some sense of the theoretical trajectory of materialist feminist thought, in opposition to "liberal feminism" in the Enlightenment tadition. Marxism has an uneven record in relation to feminism. Feminists have criticized Marxists for producing reductive, oversimplified understandings of gender oppression, and for assuming that gender oppression is simply a side-effect of class oppression.

     

Yet Marx and Engels were attentive to gender issues, and they developed a sophisticated theory of gender. As they argued in The German Ideology, gender, like consciousness itself, is a product of human labor and the gender hierarchy is a product of the unequal division of labor and distribution of resources. The categories "masculine" and "feminine" are produced and reproduced, taking on different characteristics in different historical circumstances according to changing relations of production.

From its beginnings, historical materialism has supported a critique of the ideology of gender in social power relations that also recognizes the ways that the academic division of labor facilitates the profit motive and maintains class rule.

Engels, in The Origin of the Family, Private Property and the State, produced a pioneering materialist account of the exploitation of women in the bourgeois family, and twentieth-century Marxist thought offers a long history of critique and opposition to patriarchy.

In the last forty years or so, feminist critiques have challenged Marxism's limits and expanded its capacity to address the differential historical situation of women. This tradition of feminist engagement with Marxism constitutes what is variously known as socialist, marxist or materialist feminism, as distinguished from liberal feminism or radical feminism.

The primary readings for this week--Woolf, de Beauvoir, and Mulvey--have been chosen with a view to present something of the trajectory of feminist theory in the twentieth century from the liberal feminism of Woolf, to what I consider a more nearly Marxist-materialist feminism in de Beauvoir, to Laura Mulvey's very influential psychoanalytic theory-inflected, essay on the way women are constituted as viewing subjects in traditional Hollywood realist film

One parting thought I'll add about Woolf's essay. Though I would situate it firmly within the liberal humanist Enlightenment tradition, I was forcefully struck by how closely Woolf tracks toward an "economic deteminism" argument when I read it in its entirety for the first time a few years ago in preparation for teaching it in a "Gender in the Humanities" course.